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By Greta M. Grossman

Cobra Floor Lamp

$1,299

The distinctive Cobra Floor Lamp designed by Greta M. Grossman in the 1950s is inspired by the shape of a cobra's neck, which is not surprisingly also the motivation for its name. The Cobra Floor Lamp is a classic and yet unique lamp that with its flexible arm can be bent in all directions, creating a pleasant reading light or an artistic light when directed towards the wall.

  • Shade Color:Black Semi Matt
ITEM NO: 10063053
    • Market Compliance:Europe e x . UK, AU-NZ
    • Design:Cobra
    • Product Net Weight Kg:5.87
    • Gross Weight Kg:10.87
    • Gross Height Meter:0.41
    • Gross Length Meter:1.2
    • Gross Depth Meter:0.4
    • Lightbulb Socket:EU – E14 (Bulb not included)
    • Lumen Watt Recommended:470 Lumen (~ 4W-6W LED)
    • Lamp Height:118 cm
    • Lamp Stand:Ø27 x 118 cm
    • Shade Dimension:29 x 16.5 cm
    • Cord Length:230 cm
    • Materials:Chrome/Black Semi Matt

The distinctive Cobra Floor Lamp designed by Greta M. Grossman in the 1950s is inspired by the shape of a cobra's neck, which is not surprisingly also the motivation for its name. The Cobra Floor Lamp is a classic and yet unique lamp that with its flexible arm can be bent in all directions, creating a pleasant reading light or an artistic light when directed towards the wall.

Inspired by the shape of cobra's neck.

 
 

EXPLORE THE COLLECTION

ILLUMINATING ELEGANCE

 

The Cobra Floor Lamp, conceived by Greta M. Grossman in the 1950s, draws its aesthetic from the elegant curve of a cobra's neck, which intriguingly is also the namesake of this design. This lamp stands as a timeless yet distinctive piece, featuring a versatile arm that can be adjusted in multiple directions. This functionality allows it to serve as both a comfortable reading light and as an artistic illumination when aimed at the wall.

GRETA M. GROSSMAN

 

Greta M. Grossman (1906–1999) was an innovator in the male-dominated worlds of mid-century industrial and interior design and architecture, gaining international recognition for her work.

She was born and educated in Sweden, setting up Studio – her first combined store and workshop – in Stockholm the same year she married musician Billy Grossman. With the onset of the Second World War, the pair emigrated to California where she worked as an architect. She was among the first to bring the Scandinavian modern aesthetic to southern California’s burgeoning modernist scene.

 

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