Highly graphic design
Both back and seat are curved and arched, similar to the form of a saddle and the overall effect is one of lightness. The highly graphic design construction is evocative of Le Corbusier’s work for the Church at Ronchamp.
The Nagasaki Chair is designed in 1954 and is still Mathieu Matégot’s best-known piece. It was exhibited for the first time at the 1954 Salon des Artistes Décorateurs and, along with Arne Jacobsen’s Ant Chair (1952), is one of only a few three-legged models.
Mathieu Matégot (1910–2001) was a self-taught Hungarian designer who settled in Paris after travelling, studying, and gaining experience in set design, window dressing, fashion, and tapestry.
He volunteered for the French army during the Second World War but was captured by the Germans and put to work in a mechanical accessories plant. It was here that he recognized the potential for perforated sheet metal to lend transparency, weightlessness and modernity to new forms. After the war, he developed Rigitulle – his take on the material – and his own folding, shaping, and bending technique.
Carefully curated and intuitively iconic. That's been the spirit of GUBI since 1967. Rediscovering the heart of historical pieces and seeing how a contemporary vibe can help us write new chapters and find harmony in the eclectic.